Showing posts with label music marketing. Show all posts
Showing posts with label music marketing. Show all posts

Tuesday, November 2, 2010

The #Future Record Label Model = Brand #Marketing Collective [#musicbiz #musicmarketing]


By BJ Jansen | via MusicDish e-Journal

The new successful models for record labels will revolve around collective brand marketing.


We all realize that the traditional record label model is as obsolete as a typewriter. Finding a new model that works has been a substantive topic of debate and general consternation. I argue that the new successful models will revolve around collective brand marketing. Essentially this model has existed in the independent arena for quite a while, and I feel that we will see more growth of this model to fill the traditional label gap.

What does a collective brand marketing organization do?
Simply put, it is a collective of like-minded artists who use a collective brand to market their individual recordings. In other words this organization takes over the collective marketing and bargaining power that a traditional label model once did to market an artist’s albums and bring them to the marketplace. This is about where the similarities end with the old-school record label model. Now here are the differences, the artists produce, own and retain all of their rights to their recording projects. Artists may be individually responsible for their own distribution and finally they will generally pay some sort of subscription fee to the organization.


Why is this situation beneficial for an artist?
Firstly, artists retain ownership of all of their rights. Secondly, they benefit from collective marketing, co-branding and building off of the strength of their label-mate’s work. Thirdly, with brand cultivation through a strong artist selection process, the collective will be able to gain greater market share and exposure for their members by providing consistent quality to consumers in one place. Finally, artists will retain total artistic control of their projects.


Why do brand marketing collectives work?
The main reason has to do with aggregation. A certain level of aggregation is necessary to cut through the clutter of the long tail online. By attaching yourself with a collective of powerful brands you are able to aggregate the quality and therefore create an exponentially more powerful collective brand that essentially creates a bump in the long tail. This bump helps your work to cut through the clutter. As the collective gains market share in its given niche, so does each individual member’s work.


Posted by Dexter Bryant Jr. | Powered by DME.

Music business tweets @dBRYJmusic

Saturday, June 26, 2010

The Music Radio Solution

By Jerry Del Colliano

DJs are history.

Streaming services can’t attract enough subscribers.

Apple worries everyone with what they are planning to do with their anticipated “cloud” service.

Music royalties have killed Internet radio and are a constant threat to the survival of the most popular Internet radio service of all – Pandora.

Apple doesn’t believe in putting FM chips in their most popular mobile devices. And even when they do (like in iPod Nano), it doesn’t make a difference to the radio industry.

So what is really going on?

Music is the one thing that consumers can’t live without – maybe next to Starbucks – and yet the future of music delivery has never been so uncertain.

Or is it?


I am seeing a scenario that should start to unfold in the near future that, if correct, will totally redefine the radio industry, music business and other media relying on music as a core attraction.

May I take you through it?

Big bad Apple is definitely up to something with the purchase of LaLa, the streaming service that it promptly shut down. You see, Apple was after LaLa for its "cloud" technology. I don’t believe Apple wants to get into the radio business as we know it. I don’t think Apple even likes radio as a business.

What it does like is its own concept of the iTunes store with 100 million credit cards on file ready to buy music for Apple devices.

So I wouldn’t be surprised to see a Steve Jobs announcement in coming days where a new Apple streaming service will make consumers’ iTunes libraries available on the “cloud” anywhere, anytime, on any device.

It’s hard to say how Apple will price it, but Apple is good about pushing price points without breaking the consumers’ wallet (with the exception of the first iPhone when Apple promptly cut the price and rebated the overcharge).

Apple will use the "cloud" to make your iTunes library available everywhere in an instant.

And maybe – just maybe – to allow you to preview music you may want to own. The “cloud” will enable this.

But I’m not counting out an Apple music subscription service, either. With Steve Jobs predicting Apple for fun and profit is a fool’s game.

Labels love subscription plans. They would support it. Years ago Warner Music told me they wanted ISPs to charge consumers a monthly fee for all the music you could eat, but that plan was dead on arrival. Try to get ISPs to agree on anything.

The streaming service Rhapsody has gone from 800,000 subscribers to 650,000 – a 19% drop in the past year.

Spotify hasn’t gotten off the ground in the U.S. yet and while consumers seem to like it in Europe the jury is out as to whether the financial model will work in a world of free filesharing.

So, it seems inevitable that consumers will keep their music on their mobile devices and add “cloud” accessibility thus reducing the role of terrestrial and satellite radio in acting as a jukebox.

But …

If radio could reverse the self-destructive trend of eliminating personalities and “music authorities”, it could and probably would present an attractive package to even young consumers who hadn’t previously turned to radio for music discovery.

You also hear me mention the term music discovery a lot because young people tell me that music discovery is exactly what they want.

More ways to connect with more and different kinds of music and artists. Radio used to serve that purpose with the dj as the music authority. Voice tracking and syndicated voices are not the same. Ask any young music consumer.

Radio, therefore, can get a leg up on what is inevitably going to happen by hiring (or re-hiring) personalities who know music and/or employing music "authorities" in their genre as well as putting specialty programs on-air that are about discovery.

Just driving terrestrial listeners to the Internet or mobile Internet, I am sensing, will not work.

I’d also like to see the radio industry announce at the NAB Radio Show this September in Washington a new agreement where the industry would agree to pay a small performance fee in return for very favorable Internet streaming and podcasting rates.

While I don’t think it is fair for radio, the longtime drive behind music sales, should pay this fee, reality says the time might be right for a compromise and our new NAB President seems to be that kind of a guy.

Important because the mobile Internet and the Internet stream will be vital to radio’s ability to make up for inevitable lost terrestrial listening in new media. What an opportunity.

The sky isn’t falling unless we take our eyes off the consumer.

Consumers are dictating what devices they prefer, how they want to listen (in shorter segments), where (on their mobile devices) and with whom (their social networks).

This is all good for us – we’re radio, the original social network and mobile device that may have lost its way during consolidation but can find the future by looking to the early adapters of new media.

http://insidemusicmedia.blogspot.com/2010/06/music-radio-solution.html

Written by Jerry Del Colliano for Inside Music Media

Re-posted by Dexter Bryant Jr.
Powered by d.BRYJ Music Media Group.

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Tuesday, May 18, 2010

Online Music Marketing: 43 Metrics & 7 Tools To Measure ROI

By Dexter Bryant Jr.

Using the Internet to market and promote your music is one of the most affordable ways to establish and build a following. The abundance of free tools and music-based social networks has made music marketing more accessible than ever for musicians around the globe. Rather than investing boatloads of cash into advertising, PR, and radio promotion, instead musicians invest their time. Through social networking and direct-to-fan engagement musicians can achieve remarkable results with online marketing.


The question that often comes up is how do you know if your online marketing is working? Also, how do you know where your marketing is the most effective?


ROI (“return on investment”) is a performance measure used to evaluate the efficiency of an investment or to compare the efficiency of a number of different investments. In the case of music marketing online, your time is your main investment. Tracking the results of your music marketing efforts online is crucial to figuring out where your time is being wasted and where it is best spent so that you can amend your actions accordingly.


Below I have listed 43 metrics for measuring ROI and 7 tools to measure with.


Metrics:

1. Number of subscribers on your mailing list
2. Twitter followers
3. Friends/fans on TheSixtyOne.com
4. YouTube channel subscribers
5. YouTube plays
6. YouTube uploads of your songs by other users
7. We Are Hunted chart positions of your songs
8. Blog mentions or reviews of your music
9. Backlinks (blogs and websites linking to your website or blog)
10. Mixtape/album downloads
11. Individual track downloads
12. P2P downloads and sharing of your music
13. BitTorrent downloads, seeds, and sharing of your music
14. Last.fm plays
15. Last.fm friends
16. PureVolume friends
17. PureVolume plays
18. Facebook fans
19. Twitter plays through twiturm.com or twt.fm
20. Plays and listeners on blip.fm
21. Plays on podcasts
22. Plays on Internet radio stations
23. Use of your music by DJs in podcasts, online radio, & in night clubs
24. Your songs featured on digital mixtapes by well-known DJs
25. Online plays streamed longer than 30 seconds (on various music social networks)
26. International audience: number of countries where people are engaging with your content (plays, downloads, reads, shares, subscriptions, etc)
27. ReTweets of your content (songs, mixtapes, articles)
28. 100+ concentration of fans in a specific region (touring becomes viable in that region)
29. Eventful.com Demand stats
30. Digital singles sales
31. Album sales
32. Remixes of your music
33. Attendance figures for live concerts broadcast on ustream.TV or similar networks
34. Attendance figures for concerts offline
35. Number of credible professionals in entertainment, journalism, marketing, and other related industries who support your music (maintain a collection of quotes from these individuals)
36. Customer and client testimonials
37. Comments about your music on multiple social networks (positive or negative)
38. Myspace plays, profile views, and friends
39. Plays, reviews, and fans on http://www.jamendo.com
40. Fans, plays, and chart positions on Soundclick.com
via Brian Hazard:
41. Your website’s Alexa ranking
42. Monthly unique visitors to your website
43. Number of subscribers to your site’s RSS feed


Use these web 2.0 tools to measure social engagement, identify fans, find hot markets, and gauge your band’s online presence and popularity:

1. Music Xray - http://www.musicxray.com/
2. Band Metrics - http://bandmetrics.com/
3. Next Big Sound – http://nextbigsound.com/
4. RockDex – http://rockdex.com/
5. Topsy – http://topsy.com/
6. Backtype – http://www.backtype.com/
7. Trendrr – http://www.trendrr.com/



About the author:

Dexter Bryant Jr [d.BRYJ] is the hippie tribe's chief record producer & songwriter of nintendo crunk & nintendo punk music. As a digital branding consultant Dexter helps brands & bands strategically plan and manage their web 2.0 presence. Dexter blogs about music & business @ http://hitmusicacademy.wordpress.com/


http://www.musicthinktank.com/mtt-open/online-music-marketing-38-metrics-and-7-tools-to-measure-roi.html


Posted by Dexter Bryant Jr.
Powered by d.BRYJ Music Media Group.
Get Twitter updates @dBRYJmusic

Sunday, May 16, 2010

Digital Branding With Music Apps

By Dexter Bryant Jr.

Music-based mobile apps are one of the most powerful tools in a musician’s digital marketing arsenal. Apps are a hot commodity with customers, especially the gen-Y market. Beyond that, apps provide an avenue for deeper engagement with your audience.


In order to maximize your potential for connecting with audiences, your app must be user-friendly and addictive. You do that by providing value to users. Make it simple to use and allow opt-in subscriptions for your podcast(s). Subscribers get new podcast episodes forwarded directly to their phone.


Your mobile app should also include additional features that are engaging and addictive for users. These features will add entertainment value to your app if executed properly. Make some app features default and others opt-in so users can customize their experience and dictate their level of engagement with your app.


Ideas for app features:

  1. Music biz news feed (RSS)
  2. Twitter feed
  3. Blog/website feed (RSS)
  4. A rhythm game like Tap Tap Revenge that showcases your music
  5. A search engine for streaming your music
  6. Video feeds for web concerts (on ustream.TV and other digital networks), video blog updates, behind-the-scenes footage, music videos, and anime mini-series
  7. MP3 feed of your latest songs and mixtapes


Allow users to comment on your app content from their phone via Twitter. Facilitate sharing (and comments) to your social media pages (YouTube, Facebook, Twitter, LinkedIn, etc). Invite users to live chats with your band members through Skype and other networks.


Don’t stop there though. Give users access to your entire multimedia library of original content. Let them search and download your mp3s, e-books, and other content directly to their phone. But please DO NOT skip over optimizing all content for mobile phone use, otherwise your files will be too large and the user experience will be poor. Get the user experience wrong and people will use your app once and never return.


Free vs Premium
Marketing through mobile apps takes you direct-to-fan and connects you with your audience. It’s your choice whether to sell your app but keep in mind that more users with your app means more people with access to your music. I personally recommend offering a free app in addition to a premium version with value-added features and content.


Even when downloaded there’s no guarantee that your app will be used or your music listened to. But if your app provides value and is engaging for your users, there’s a good chance that your music will get heard.


More tips on creating awesome music mobile apps:
5 Ways To Create An Engaging Artist/Musician iPhone App
Ten Most Popular Artist/Musician iPhone App Strategies Reviewed



About the author:

Dexter Bryant Jr [d.BRYJ] is the hippie tribe's chief record producer & songwriter of nintendo crunk & nintendo punk music. As a digital branding consultant Dexter helps brands & bands strategically plan and manage their web 2.0 presence. Dexter blogs about music & business @ http://hitmusicacademy.wordpress.com/

http://blog.discmakers.com/2010/03/digital-branding-with-music-mobile-apps/

http://www.artistshousemusic.org/articles/digital+branding+with+music+mobile+apps

http://www.knowthemusicbiz.com/index.php/D.I.Y.-Tips/Digital-Solutions/Digital-Branding-With-Music-&-Mobile-Apps.html



Posted by Dexter Bryant Jr.
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Get Twitter updates @dBRYJmusic